They wisely stick to AAA games and avoid the hassle of AAAA games like ubisoft
what the hell does the number of As even mean? how does one quantify how many As your game has? if I made a game today and shipped it how many As could I get today?
I read it’s how the companies talked to the stores, AAA meant it would probably be popular and expensive so you better order a big batch.
Is that so?
It fits with my understanding as well, but comes from investment grade bond ratings where AAA usually signifies the highest quality (i.e. the best chance of getting paid back). A AA bond is still a good bond, but it has a higher risk of default.
But in practice, I just see AAA as a “high budget production,” both in development costs and marketing. It doesn’t mean it’s a better product, just one with a lot more money on the line.
Recently one of the executives at Ubisoft called Skull and Bones a AAAA game. Now the internet is dunking on it.
How long before it’s less
n(A)games, and more screaming?
I dunno. But I’d like to see queen pwnsalot blind fold play a fromsoft game.
If it was actually a blind fold
Karl jobst is right
Just so surprising that treating staff well and keeping them around lets you do consistently high quality work. Boggles the mind really.
keeping them around
It’s rare for employees to move companies in Japan. A lot of people will work for the same company their whole life. Japanese companies aren’t really known for treating their employees well either.
I’d guess what they’re doing well is hiring employees that are very passionate. I hear the anime industry is the same in that people who are in it are willing to work themselves to death because they want to work on big name projects
Just be clear, there is a reason that’s not in the quotes of the title. The author basically makes up that they’re "treating staff well* because they’re not randomly firing people right now. (The empowering bit is basically fabricated)
Well, this may not actually be the case. 7 or so years ago FromSoftware was pretty notoriously known to Japanese workers in the gaming industry to have very harsh working conditions, even among other Japanese studios that also have harsh conditions. Allegedly programmers at FromSoftware at that time were making an annual salary of only $27k USD. Compare this with Konami, who was paying an annual salary of $40k USD for the same position.
Its possible in the last 7 years things might have changed, but Japanese companies are usually very resistant to change. Japanese work culture honestly sucks, I would never want to.live in Japan because of this.
EDIT: You can see here that the overall worker satisfaction rating for FromSoftware is only 2.8 out of 5, which seems to be nearly the same as it used to be.
NOTE: Some readers may see something about the “Whiteness/Blackness” of the company. This has nothing to do with race or racism. This is a slang term from Japanese culture that refers to how ethical a company is. A company that is very unethical (overworking employees, borderline illegal treatment of employees, etc) is called a “Black Company,” and everyone will tell you to avoid them. Conversely a “White Company” would be a very ethical company and one that everyone would be fighting each other to work for.
Ah so FromSoft went pure black company tendency.
Well, I wouldn’t call From a Black Company. 2.4 White rating is almost exactly in the middle.
A real Black Company would be something like the V-Tuber Agency Wactor (and more recently maybe Nijisanji). This company has engaged in behaviour that is legitimately abusive to its employees, to the point that nearly all of its liver talents have quit.
For Black Companies, it is most common that there is bullying or some other kind of abuse from higher ups, as well as threats of disrepute if the abused employees quit voluntarily. This doesn’t seem to be the case with FromSoftware. Just that they don’t pay overtime because it is considered voluntary (incredibly common among Japanese companies) and pay below industry average.
Yeah that makes sense. My comment was a callback to Demon Souls feature of Pure White/Black World Tendency.
Yeah I fully got that. Its too bad World Tendency was such an obtuse mechanic.
I just wanted to clarify that From wouldnt exactly count as Pure Black World Tendency, it would be more like a Neutral World Tendency.
Japanese work culture honestly sucks, I would never want to.live in Japan because of this.
You can find Western companies and semi-westernized Japanese companies where the work culture is better.
Yes, but in Japan the large majority of businesses are Japanese, and most conform to the expected conditions of underpaying or not paying for overtime (“voluntary overtime”), etc.
Just like there can be some companies that do the same thing in the USA, though it is not.common because there are laws specifically to prevent that.
I’m just saying that you can live in Japan and avoid this work culture.
Yes but it is easier to avoid the work culture if you do not live in Japan.
And respecting players, and monetization practices which players respect
Are we just going to pretend Armored Core 6 wasn’t a development hell for a good while to the point that the original producer left to do Daemon X Machina?
You got any sources for that claim? Because quick googling makes me think it’s BS.
EDIT: For anyone not wanting to read the rest, it is BS.
https://www.siliconera.com/daemon-x-machina-makers-talk-about-how-they-create-their-mecha-designs/
Daemon X Machina features two prominent people behind the helm: producer Kenichiro Tsukuda and mecha designer Shoji Kawamori, who also worked together on the Armored Core series.
This is for staff, the hell comes from rumors about armored core 6 being made way before Daemon started it’s marketing cycle, then suddenly we have AC staff on marvelous instead of from, just do the math.
Feel free to do the math for me, because I just don’t see it.
- Tsukuda hasn’t worked on armored core since 3, he was long gone from FROM before Armored Core 6 was even an idea.
- Kawamori did mecha designs for Armored Core 6.
- FROM said Armored Core 6 is in early development in 2016
- Daemon x machina came out in 2019
- The director of Armored Core 6 was Masaru Yamamura who worked on Sekiro until 2019, so outside of concept art and maybe early prototypes no major work had been done on Armored Core 6 before 2019.
At what point was the rumored development hell that you still haven’t sourced?
FROM said Armored Core 6 is in early development in 2016
There you go, 7 years to make the game, you did the math.
Did the development start in hell? Because the Daemon x machina producer, who according to you left FROM because AC6 was in development hell, presented Daemon x machina in 2018. At that point AC6 had already been in “development hell for a good while”, but they had only been in development for 2 years?
That’s not at all unusual. In fact, bigger studios will often have a few very small teams working on game concepts for years, to test an idea without spending too many resources.
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Massive, massive whips.
Genuinely heart warming quote
You don’t have to actually finish the game when a bunch of marks will treat every bug and inconsistency as some grand difficulty hurdle and some deep lore the normies don’t understand
What are you even talking about, like actually, I’m genuinely asking
I think he might be talking about the Bloodborne lantern bug.
Equipping the lantern used to reduce your stamina regen and a lot of YouTubers were making videos about how it was intended and genius in some way.
The bug got fixed later on.
I didn’t know about that as I’ve never played Bloodborne, but even that seems kinda not a big deal.
It’s really not, I think people look too deep into their games sometimes but that’s not a problem in my opinion.
are you talking Bethesda or From software?
They’re the same thing
lol alright
Tell me you’re shit at games without telling me you’re shit at games
You’re shit at games without telling me you’re shit at games.
I don’t kink shame!
where’d you get stuck?
I didn’t
They also release real products and not “games as a service” shit.
Japan as a whole is fairly notorious for 24/7 work culture. The way he repeatedly mentions their quick production and pivots feels a bit… crunchy.
For starters they keep making mostly the same game over and over. They’re essentially doing the Bethesda shtick except their end results are better. Sticking to stuff that can mostly be made in the same engine as the thing you finished 15 minutes ago is going to shave off a lot of time compared to making a new game.
Of course that’s not to shit on incremental improvements or engine reuse or anything. That is just sound thinking as long as the games are good.
They also had great success with Sekiro, which was (and still is) very different from their other titles.
It really isn’t except it has a decent and intelligible story
I mean, make no mistake, it is fundementally different in lots of ways, but in terms of what the engine needs to do to work, what the character needs to do, how the player interacts with the world, at those basic building block production points Sekiro is almost the same as Dark Souls, I so can agree there.
Sekiro can jump, climb, grapple and swim. Those kinds of more agile behaviors add a lot requirements and considerations to the engine and content makers.
Definitely, but I’m also agreeing that a hugely significant chunk of what they’d already accomplished could save time when moving on to Sekiro. They did of course have to work on the engine and new mechanics as well, but it was far from starting from scratch.
I love the Dark Souls games. I use two moves in those games: swing big sword, dodge.
In Sekiro, there were many more moves I was forced to use, with precise timing, and split second reads to know which moves I needed to use. My aging brain cannot do that. So I didn’t enjoy Sekiro.
You’re only forced to use one move: parry. The moves you can’t parry, you just dodge. You can finish the game just with that.
Give it a try again! Sekiro is a rhythm game, and when it clicks, the combat becomes one of the most fun of all FromSoft games.
It looks fun as hell if you can get it down, but it was just too difficult for me. I really didn’t enjoy dying repeatedly until I figured out the rhythm. The other soulsborne games felt more fair somehow, and often give you a way to make the boss fights significantly easier.
There’s a candy you can use to reduce posture damage so you can start out just holding block instead of trying to parry. That can make learning attacks and timings much easier.
Almost every mini boss can be backstabbed
Most can be made much easier with the right prosthetic tool
Consider giving it another shot someday!
I used parry on like 2 bosses across 3 Dark Souls games. And each time it was a pain in the arse.
There is an art to parrying. It’s a deep rabbithole with parrying frames, different weapons being better or worse, and a lot of practice. Parrying in Sekiro is way different than souls parry
Well, it’s still the same as Dark Souls. Engine wise, it’s the same. Someone who made models for Souls, can make models for Sekiro. The debugging tooling is the same, etc etc.
The best example of this is actually Armored Core. They used their engine again, yet the game obviously plays different than anything else they released. And yet, it’s the same techstack, the same engine and the same programmers. Nothing changed.
Compare that to the jump from Oblivion to Skyrim, the engine is no longer recognizable. The models need to be of a very different quality. Etc etc.
To anyone who’s played the games it’s very evidently exactly the same engine used in Morrowind, running on faster hardware and with less functionality due to it being unable to handle the higher quality graphics. (Morrowind had mostly open cities - except for Vivec - and flying, for instance; later games had to sacrifice those and add more and more loading screens…)
The mechanics are pretty different. Grappling (both terrain and enemies), high vertical jumping, less equipment (but strong diverse builds) and very different combat mechanics with deathblows.
I don’t know if it could be much different without literally changing genres.
It’s still the same engine and general gameplay concept though. The combat was the big difference.
It’s the same gameplay concept on a basic level, but that simply comes with the genre. I don’t think you could really change much more than they did without changing genres.
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Ac6 is “basically” the same game as ac 1 through 5 or whatever. Elden ring is “basically” the same game as the dark souls saga.
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If he hasn’t played them, he’s managed to get the right answer. I have played them, and AC6 is to AC1-5 as Dark Souls 3 is to Dark Souls 1 and 2.
Played and have beaten them all. Youre not seeing what Im trying to say
All the Mario platform games are basically the same. You have the 2d ones and 3d.
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You’re totally right. I’m a fan of the Xenoblade series and it’s obvious that they use the same engine with some slightly different tweaks and mechanics.
“Yeah I won’t bother replying”
Goes on to write a couple paragraphs why.
Yes Mario games are fictional the same thing over and over again. I’m collecting sunshine rather than stars this time and I have a new hat!
All of the 2D Mario platformers are the same format with unique aspects on top. The same can be said for the 3D games, but it couldn’t be said about the Super Mario series as a whole.
I’d like to add that from a technical point of view, their games don’t really push the boundaries and at least on PC, their games often aren’t the most polished. Elden Ring had severe shader compilation stutter at launch and a 60 FPS limit - which is a big no-no on PC if you ask me. Nothing game breaking like the state some publishers (EA) release their games in, but not great either.
Their games have always been dreadful performance wise. Frame pacing issues and stutter galore.
Not to mention they were actively hostile towards ultrawide gamers. The engine would render it, but then put black bars overtop the sides. Kind of amazing really that level of hatred towards gamers.
You’re the weirdo for having a weird monitor…
There was a time when 16:9 was also weird because 4:3 was the norm. I wouldn’t call it weird, I think over the next decade it’s going to become a bigger norm in PC gaming.
I was a sceptic as well but when I needed a new monitor and saw a decent UW monitor for cheap I decided to give it shot, after all if it sucks I’ll just use it in 16:9. Turns out it’s one of those “once you try you can’t go back” things. I love it for gaming, it feels so much more immersive. So much that 16:9 feels small and constrained. It’s just a superior experience in my humble opinion.
I don’t think UW is a, must for games, I’m well aware how small minority UW monitors are. But having UW support increases my enjoyment of the game.
I think it’s less hatred and more… Not understanding the wider audience, afaik it’s just not as common in Japan for uw to be a thing in general. Also it adds even more complexity to performance tuning which… They’re not known for. They clearly make games targeted for consoles over PC, the Bethesda comparison is pretty apt in engine reuse and odd decisions to limit fps/uw gaming, Bethesda is at least more open towards modding, but they also don’t make multiplayer games mainly, and while the MP aspects of FromSoft games are unusual, it’s definitely a large part of the appeal/design process and does inherently limit modding due to cheating.
I guess that makes sense, if it’s not that common … but then … why go OUT OF YOUR WAY to make the experience worse? It’s like, why didn’t they just say “oh hey, they have a wide monitor, nice!” but instead they said “oh hey, they have wide monitor, GO FUCK YOURSELF”
It’s not common, period, but because the people most likely to brag about a setup are those with more money than good sense, it gets misrepresented. Same deal with top of the line hardware – look at Steam surveys, most people are still gaming with 5+ year old hardware.
Ultrawides aren’t even prohibitively expensive these days though, you can get a off brand uw for around $150-200
Don’t HAVE TO go crazy with it and get a Samsung Odyssey or what have you :p
The three games I was most interested in last year were Kerbal Space Program 2, Cities Skylines 2, and Zelda Tears of the Kingdom. Two of them had newly designed game engines. The third used the engine from the previous game.
Guess which one I enjoyed playing the most?
In software development sometimes you do have to rewrite some code to improve things. But if you have something that functions really well, it’s better to be just continually making improvements. A lot of what makes a game great is going to be artwork, story, creative level design, creative enemy design, etc. But all of that work can be wasted if the software is buggy, which will happen if most or all of the code is written on a tight deadline.
By releasing the same game over and over for the most part, just with minor changes to the formula. Same engine, same mechanics, same style, same aesthetic, etc.
“At the cost of our staffs sanity!”
What, you think you can make games where the player’s sanity can be broken without insane employees?
It’s also a Japanese company with Japanese work ethic.
I’d say it’s more because they’ve established a reputation and they’ve kept it up, which is were Japanese culture really shines. Compare it to, say, Blizzard, which cashed out and pissed its reputation away mostly. Sure, Japanese companies will try to cash out sometimes, but if there’s the possibility of them losing their reputation because of it, they will back off even at a loss and try to make up for it. Do not confuse with South Korean companies, by the way.
There were already some rumors about bad working conditions during the Dark Souls titles, now more with Elden Ring: https://www.ign.com/articles/elden-ring-developers-compare-working-at-fromsoftware-to-playing-dark-souls
Even with some negative accounts, other FromSoftware employees said working at the studio has been a great experience. One employee even likened it to FromSoftware’s own Dark Souls, saying, “There’s a lot of struggle to get things right, but if you get over the hump it is very satisfying. It’s just like you defeated a boss in Dark Souls.”
I’m not sure if we should be approaching work like Dark Souls.
I wouldn’t be surprised, but you also get those claims with a lot of Western developers as well. The only difference I’m seeing is how much more reputation is valued as opposed to something that can be sold off to the highest bidder.
But…they don’t? Their mainline games are always a few years apart (with the exception of Bloodborne, which they had a separate team doing concurrently).
Unless you’re referring to the other games they publish that no one really knows about or comments on? I don’t think Metal Wolf Chaos XD, Déraciné, or Monster Hunter Diary: Poka Poka Airou Village DX should really factor into the discussion.
2-3 years is a very fast turnaround time these days and that’s where From is at. Look at Horizon by comparison. It was 5 years between the Horizon games despite using the same engine and some of the same assets.
Horizon is a bigger game with more cinematics and voice acting, so that’s part of it. But From is definitely faster at pushing out AAA games than most studios.
I’ve been replaying the Arkham games, and I was thinking about that. The first one came out in 2009, and the second came out in 2011. That’s a pretty quick turnaround for a video game sequel, even if they had started making City immediately after finishing Asylum.
Metal Wolf Chaos should factor into all discussion, even those that have nothing to do with FromSoft.
LET’S PARTYYYYY!
So frequently? Dude it’s been like 2 years since they announced DLC for their last game and it’s only finally coming this June assuming it does not get delayed.
They released a whole ass other game in that window.
Armored Core was pretty dope too. Saying as an old fan
It’s a huge dlc from the looks of it though, and they also released Armored Core during that time.
