The greatest challenge with AI is not how to make it, but how to make it better than us.

No worries & thanks for the suggestion.

Pretty much, although these days a lot of folks find it more convenient to have the rules in .pdf for easy access. There’s hundreds available. Here’s a listing I had posted last night on the @13thFloor magazine I run over here on kbin - happy to crosspost if you feel it fits.

Oh boy, have I got some treats in store for you…

Question - is it just video games, or are you looking for tabletop RPGs too?

It’s not just the Russians and Chinese. In rural wine country where I grew up, more than a third of the properties have been bought up by millionaires that visit maybe two weeks out of the year, hollowing out the town, and gentrifying anyone who was middle class or lower out of the area. Another third of what used to be rental housing is now air BnBs. Teachers and EMTs can’t afford to live within an hour drive, so public service quality has cratered. None of the kids I went to high school with still live in the area (although many commute in, as they tried to make their careers where they grew up).

While recently we’ve seen more Chinese, the Russians haven’t really made an impact. The trend (in this locality), however, was absolutely started by New York financiers, and had been ongoing for at least 15 years before foreign investment capital showed up.

This is what irritates me when people say there isn’t enough housing supply. There are 16 million vacant homes in the US. It’s not a supply issue. It’s a class and economic issue.

I know it sounds radical, but I support a law would force landlords with property that has been vacant more than six months to offer it to section 8 recipients as a rental. I think this would cause a significant positive adjustment in the market, making housing more affordable and expanding access to those who need it most. Many landlords refuse to rent to section 8 whatsoever, so if they still want to avoid those tenants, they’d have to ensure their property is rented, opening up more housing and driving down rents.

I agree,
Snatch is a great movie,
one that should be freed
from the shackles of Amazonian tyranny.

It looks like the key in the ruling here was that the AI created the work without the participation of a human artist. Thaler tried to let his AI, “The Creativity Machine” register the copyright, and then claim that he owned it under the work for hire clause.

The case was ridiculous, to be honest. It was clearly designed as an attempt to give corporations building these AI’s the copyrights to the work they generate from stealing the work of thousands of human artists. What’s clever here is that they were also trying to sideline the human operators of AI prompts. If the AI, and not the human prompting it, owns the copyright, then the company that owns that AI owns the copyright - even if the human operator doesn’t work for them.

You can see how open this interpretation would be to abuse by corporate owners of AI, and why Thaler brought the case, which was clearly designed to set a precedent that would allow any media company with an AI to cut out human content creators entirely.

The ruling is excellent, and I’m glad Judge Howell saw the nuances and the long term effects of her decision. I was particularly happy to see this part:

In March, the copyright office affirmed that most works generated by AI aren’t copyrightable but clarified that AI-assisted materials qualify for protection in certain instances. An application for a work created with the help of AI can support a copyright claim if a human “selected or arranged” it in a “sufficiently creative way that the resulting work constitutes an original work of authorship,” it said.

This protects a wide swath of artists who are doing incredible AI assisted work, without granting media companies a stranglehold on the output of the new technology.

“When the committee held an initial hearing on broadband permitting streamlining, including a draft of the American Broadband Deployment Act, no state or local government was invited to testify.”

If you’d like to make your feelings known on this omission and the bill in general, here are the members of that committee - clicking on a rep will give you their contact information.

“When the committee held an initial hearing on broadband permitting streamlining, including a draft of the American Broadband Deployment Act, no state or local government was invited to testify.”

If you’d like to make your feelings known on this omission and the bill in general, here are the members of that committee - clicking on a rep will give you their contact information.

I’m sure this will will end well

I buy games based on the following tier scale:

Gameplay > Performance > Price > Expected time playing > Graphics

I agree with your point in the post, especially after playing Darktide, which chucked performance out the window for fog and lighting effects. It doesn’t matter how pretty your game is if it’s rendering at 3fps.

Actually, when William Hearst originally started the campaign in the 20s to take out the hemp farmers that were competing with his timber business (he bought up most of Humboldt so he could corner the paper market), he targeted Hispanics (primarily Mexicans) with Marijuana in his articles about drug crimes and how they were ruining America. Henry Ansligner bought it hook, line and sinker, and he set the tone until the 40s, when hemp was briefly made legal for the war effort. Note that Jack Herer’s The Emperor Wears No Clothes does an excellent job illustrating this historical relationship.

Once the Beats started smoking weed in 50s, hemp was criminalized again, and the prohibition was expanded to felony status as law enforcement started targeting the evolution of the Beat movement, the hippies.

The subsequent prohibition on cocaine products was targeted at black neighborhoods (as per the GOP intention during the Nixon/Reagan era), and was built upon the “successes” of the previous marijuana prohibition.

This is why I don’t think they’ll stop at porn.

This is not going to stop porn. All it will do is criminalize the actors, producers, and viewers.

I’m reminded of the drug war, where they took a relatively harmless narcotic used disproportionally by minority populations at the time (Marijuana), and used it to criminalize and imprison large swaths of the population, especially within the black community.

It’s no coincidence that most of the folks targeted by this effort are women and sex industry workers, which skew liberal by a large degree. Note I’m not just talking about prostitution or porn actors, but the entire sex industry, including toys and books.

The GOP is scared shitless of the rising power of women in modern society, and being able to criminalize and consequently attack the revenue stream of sex industry workers is a way to blunt it. There’s also an element of class warfare involved, as OnlyFans or similar sites are often the most economical way for a young woman to lift herself out of poverty if she has no other marketable skills.

Agreed again. If I wanted folks IRL to know what I post, I’d be on Facebook. Reddit’s value to posters was its anonymity. Without it, there’s no reason to use it over its centralized competitors in the social media space.

I totally hear you there and agree with you re: the business choices Spez made. Reddit lost a 20 year contributor when I walked away, and even if they rolled back all the changes, I won’t be returning.

I was more looking at applying your suggestions to a fresh publishing model, as your ideas intrigued me (having run a publishing forum in the days of the early internet). I want to have a space on the internet where content creators can keep ownership of their content and get adequately paid for publishing - I think properly run, it could become a vital hub for our cultural legacy (as Reddit was, albeit clumsily and destructively). The incoming revenue is the biggest challenge, which is why I focused on that element.

Some users will pay if you have a paywall, but only if you already have a substantial amount of content they want to access. This works for a search engine crawling pre-existing content, but not so well for a forum style site like Reddit, where most of the content creation is driven by engagement with other content. If you reduce the engagement rate (aka through a paywall), you’re actually reducing your incoming content in the long run (something we’re seeing on Reddit after the blackout).

I don’t know what the ultimate solution here is, but I really do like your payout concept with Monero. If I did build another publishing attempt, it’s something I’d try to implement if I could get the incoming revenue to support it.

This reduces the minuscule interest I had in replaying Paladins to a negative number. Smite’s been nothing but frustrating garbage, but I thought that with a bit of polish and a lot more character development, Paladins had promise when it came out. Starting a labor dispute to begin a practice that will degrade the overall quality of the game means it’s not worth my hard disk space to install their products - it’s clear things are only going to get worse for Hi-Rez titles from here.

Excellent points. That being said, Reddit will never pay contributors. They have never had interest in quality of the content on the platform, only it’s engagement rate - the years of publishing subs like jailbait and The_Donald speak to that. Engagement, now that they’ve got a critical mass of users and 20 years worth of content, can be maintained with bots, sockpuppet accounts, and reposts (all of which have become the course du jour for the front page and /r/all since the API revolt began)… at least until they go IPO, after which it’s not their problem anymore.

The biggest problem with online publishing is that without that critical mass of readership, it’s very difficult to become profitable enough to pay your contributors. Reddit’s never gotten to this point, even with millions of users. It’s my hope that with contributors moving off of Reddit, we’ll see new publishing models appear that utilize some of the excellent ideas you’ve outlined above. I particularly like the suggestion of using Monero as a currency to ensure anonymity.

Tying voting to currency is an interesting idea, but I think that voting should be free, as my experience running forums is that only about 10% of your viewers will care enough to vote, and maybe 10% of those choose to post actual content. Putting a paywall in front of voting will kill engagement. However, limiting the number of free votes an account gets per day, then allowing people to buy more votes with currency, and earn currency for posting content could work very well if run correctly. The trick is balancing the actual profit you make off of the contribution with the need to pay your contributors, and here it becomes a question of determining the proper margins and payouts.

The other problem is that the only real revenue source outside of the users of the site is going to be Google Adwords or a similar platform (unless you go for ancillary streams of revenue, like attaching an e-commerce store to the site). If you charge for access to the content, you’re killing your engagement. I haven’t used Adwords for awhile now, but when I did the payouts were absolutely abysmal (like less than a penny per click). They were so bad that it wasn’t even worth dedicating the visual real estate to put up the ads.

Ultimately, this is the same challenge traditional publishing has had for a long time. It’s generally unprofitable unless you have a runaway hit or ancillary streams of revenue (like syndication deals with other media types) - most of the actual content almost never makes money, which is why so much of our traditional media is paid for by advertising and subsequently controlled by corporate interests.

I’m looking for a rendition of the Sistine Chapel with God as Danny Devito and Christopher Lloyd as Adam, like it was in the Taxi days, ideally done in oils. All I’ve got is a buck, but my social account has followers. If I post it, you’ll get exposure. What can you do for me?

NFT’s were actually a very clever plot put together by us starving artists to combat the hordes of choosing beggars that infest the internet. We all knew it was a scam, just like limited edition glichee prints, but there hasn’t been a time in history when artists made enough money not to have to scam folks to survive, so we figured we were more than justified taking the tech-bros for a ride.

Great concept - thanks for creating this! Mentioned this to you in a DM on my alt, but if your users would like to use the #cinemainsomnia tag we created over on the 13th Floor (for our film series, which is pretty much pre-2000) to grab extra eyes, please feel free to do so.

This should pop up the post over here on our Microblog, as it’s one of our magazine tags.

Looking forward to seeing what you folks bring up from the archives - best of luck to you and your new community!

Interesting. Looks like it can’t do character development whatsoever, and the story is basically a novel summation, not an actual story. There’s also no plot twists, or scientific explanation of the technology. This is what I’d expect from a moderately talented 10 year old.